Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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Cristoforo Munari
A Still-Life with Melon, an octagonal blue and white cup on a Silver Charger

ID: 76331

Cristoforo Munari A Still-Life with Melon, an octagonal blue and white cup on a Silver Charger
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Cristoforo Munari A Still-Life with Melon, an octagonal blue and white cup on a Silver Charger


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Cristoforo Munari

(July 21, 1667 - June 3, 1720) was an Italian painter of the late-Baroque specializing in still life paintings. He was also known as Cristofano Monari. His initial training was in Reggio Emilia, his birthplace, and he came under the patronage of Rinaldo d'Este, Duke of Modena. In 1703-1706, he lived in Rome, then moved to Florence, where for about a decade he was attached to the court of the Medici. His still life paintings recall those of Evaristo Baschenis; however, the added disarray of porcelain, glass, and foodstuffs, suggest the hangover from the jovial surfeit of the Medici court. He painted also panoplies and war trophies. In 1715 he moved to Pisa where he worked almost exclusively in art restoration; he died in 1720. An exhibition of his paintings took place in 1998 in Reggio Emilia, where it attracted wide attention and was a national success.   Related Paintings of Cristoforo Munari :. | Still-Life with Musical Instruments | Stilleben mit Musikinstrumenten und Fruchten | Vasellame di terracotta, zucca, verza, spalla di maiale e piatto con coltello Piatti, vasellame di coccio e di peltro, bistecca e galli | Musical Instruments | vasetto di fiori e teiera su tavolo coperto da tovaglia rossa |
Related Artists:
REIJSSCHOOT, Pieter Jan van
Flemish painter b. 1702, Ghent, d. 1772, Ghent
Axel Haig
Swedish etcher and architectural draughtsman , 1835-1921 Swedish printmaker, painter and architect. He studied shipbuilding in Karlskrona from 1850 to 1856. The following year he joined the shipbuilders Lawrence Hill & Co. in Glasgow, but soon left to study architecture in London, where he worked with the English architect Ewan Christian (1814-95) and with William Burges. Under the influence of Burges he became especially interested in Gothic architecture. In the late 1870s he began etching, with the intention of illustrating a book on Scotland's medieval architecture. Haig contributed illustrations to numerous English magazines, including The Architect. (For Haig's drawing of William Burges's competition entry for the Law Courts, London) In 1882 he was awarded a medal for his etchings at the Paris Salon and elected an honorary member of the Swedish Royal Academy.
Lefebvre, Jules Joseph
French, 1834-1912






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